Keith Haring Ink Drawing Mickey Mouse New York Gay American Abstract Erotic love
Keith Haring Ink Drawing Mickey Mouse New York Gay American Abstract Erotic love
A$345.00
American Modernist Portrait Drawing
after Keith Haring (1958-1990)
Die Love Mickey Mouse
Fine modernist copy of a line drawing in ink after Keith Haring. Bought in France ten years ago, part of a portfolio lot.
Description: Sheet measurements 42 x 29.5 cm, thick art paper, no watermark. Would fit a standard A4 matt/mount window.
Condition: Excellent. As pictured, refer to images, generally great condition. No provenance, sold as is, Sold unframed,
About: Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art and graffiti-like work grew out of the New York City street culture of the 1980s. Haring's work grew to popularity from his spontaneous drawings in New York City subways—chalk outlines of figures, dogs, and other stylized images-on blank black advertising-space backgrounds.After public recognition he created larger scale works, such as colorful murals, many of them commissioned. His imagery has "become a widely recognized visual language". His later work often addressed political and societal themes—especially homosexuality and AIDS—through his own iconography. Much of his work includes sexual allusions that turned into social activism. He achieved this by using sexual images to advocate for safe sex and AIDS awareness.
after Keith Haring (1958-1990)
Die Love Mickey Mouse
Fine modernist copy of a line drawing in ink after Keith Haring. Bought in France ten years ago, part of a portfolio lot.
Description: Sheet measurements 42 x 29.5 cm, thick art paper, no watermark. Would fit a standard A4 matt/mount window.
Condition: Excellent. As pictured, refer to images, generally great condition. No provenance, sold as is, Sold unframed,
About: Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art and graffiti-like work grew out of the New York City street culture of the 1980s. Haring's work grew to popularity from his spontaneous drawings in New York City subways—chalk outlines of figures, dogs, and other stylized images-on blank black advertising-space backgrounds.After public recognition he created larger scale works, such as colorful murals, many of them commissioned. His imagery has "become a widely recognized visual language". His later work often addressed political and societal themes—especially homosexuality and AIDS—through his own iconography. Much of his work includes sexual allusions that turned into social activism. He achieved this by using sexual images to advocate for safe sex and AIDS awareness.